The result of their labours is a balanced, coherent, and authoritative volume which provides an accurate and concise reference source for the core technical, biographical, organological, and other information vital to the comprehension and enjoyment of music. Barrie Jones have been associated with the careful selection and editing of its contents. The Dictionary has been endorsed by the Open University as a recommended reference work for some of its music courses - it is a set text for A214: Understanding Music: Elements, Techniques and Styles - and it is fitting that two distinguished scholars of the Open University's Music Department, Professor Donald Burrows and Dr.
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Experienced and well-informed professional musicians, whatever many-volumed works of reference they may possess, occasionally have need also of one manageable book to which they can turn with the assurance that they will there be able to read a concise survey of some subject that interests them or find quickly some fact, name, date, musical term or opus number that has momentarily slipped their minds avid concert-goers, enthusiastic CD collectors, and regular radio listeners will equally welcome one which will inform without being beyond either the scope of their pockets or the depth of their understanding and music students, whether as entrants for national examinations in the theory of music or candidates for more advanced qualifications such as GCSE, 'A' level, and some courses in higher education, will also find it an invaluable information resource on many counts. With this sharp focus, The Hutchinson Concise Dictionary of Music addresses the needs of a wide range of users. Its contents are biographies of instrumental performers and singers (apart from some performers who are also composers and some celebrated castrati), publishers, critics and writers on music, producers, directors, teachers and choreographers, as well as information about theatres and festivals. The volume thus comprises entries about the various musical genres, forms and the myriad instructions annotated in musical scores, biographies of composers (with lists of principal compositions), and information about significant works in the repertory, librettists, instruments and their mainstream repertory, instrument makers, theorists and musicologists, patrons, writers (on whose writings compositions are based), and some famous conductors in history. The chosen emphasis is the fundamentals of music, those technical and theoretical aspects which provide the foundation of any musical education. The production of a more compact version of a large work that has already proved its usefulness requires a particular focus and a strict policy of selection. However, every inherited entry has been thoroughly scrutinized, information has been updated in the light of recent research and about 100 new articles commensurate with the Dictionary's declared purpose have been commissioned. Abridged from the acclaimed single-volume Hutchinson Encyclopedia of Music (1995), published in association with BBC 'Music' Magazine, and descended from the highly regarded Everyman (later New Every man) Dictionary of Music, this new reference work draws directly on a long and distinguished line of musical expertise, in particular the accumulated scholarship of those who were involved in editing or revising its 'family' volumes (notably Eric Blom, Sir Jack Westrup, and David Fallows, and latterly David Cummings and Tallis Barker).
Larger than most pockets yet kind to the purse, The Hutchinson Concise Dictionary of Music belongs to Foss's second category.
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Introduction The English writer and publisher Hubert Foss differentiated between two kinds of reference book, contrasting "those ponderous and almost complete tomes which one keeps on shelves and consults in quiet mood, and the pocket manuals which, ready at lathe or in taxi-driver's coat, offer the right amount of knowledge and understanding proper to the immediate situation'. Illustrations Key signatures Note names and harmonies Notes and rests Pitch-naming system Time signatures No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the Publisher.Ĭataloging-in-Publication Data is available from the Library of Congress and the British Library O Routledge Taylor & Francis Group NEW YORK AND LONDONįirst published in the US and UK 1999 by Fitzroy Dearborn Publishers This edition Published 2014 by Routledge 711 Third Avenue, New York, N Y 10017, USA 2 Park Square, Milton Park, Abingdon, Oxon 0 X 1 4 4RN Routledge is an imprint o f the Taylor & Francis Group, an informa business Copyright © 1999 by Helicon Publishing LtdĪll rights reserved.